A Phrase of Agony

How much do a frame takes more attention than the painting itself? It is when you as yourself, and only you, consider the real attraction is the frame, which used to be the painting, but somehow must be shifted into a frame. Straightforwardly,

She stared at standing people in front of her bleakly. Dark men in dark suits. Heavy skeletons kept them alive and faithfully brought them home to the ladies and children. Really, no glimpse of rainbows, or sparkled lights, which usually may glee her. All was a hard puzzle to be interpreted through lines and wrinkles on faces. You should contemplate rigidly until you may take the meaning of those old, exhausted faces were a struggle of life. Hard to think, when she was really in their same struggle too.
She did not do that. The staring of the big picture was just a full concentration, so she could see the line through the tip of her left eye. She couldn’t see it barely, though. But for sure, firm figure was there. The neck was higher than her softest hair on the peak of her head. You could tell the chest beating together with hers, though not in the same rhyme.

For it had decided not to take the same rhyme anymore.
For hands will not intermingled.
For the greatest power was conducting the organs, Dio.
And she understood and understands
Dio mysteriously will always right at the end.
Gloria in Excelsis Deo, they sing harkly on Christmas.
For the Dio, she shifted the main attraction into frame.
He had determined
To be the frame
Too
Stop painting all heavenly fountains of honey, sparkling, and apple that may pour and abundant her throat with sin.
The sweetest one.